Akosua Adoma Owusu

Photo Credit: Carey MacArthur for CHROMAT

Akosua Adoma Owusu (born January 1, 1984) is a Ghanaian-American filmmaker, producer and cinematographer whose films and installation work address the collision of identities, where the African immigrant located in the United States has a "triple consciousness.” Owusu interprets Du Bois’ notion of double consciousness and creates a third cinematic space or consciousness, representing diverse identities including feminism, queerness and African immigrants interacting in African, white American, and black American culture.

Her films have screened internationally including Rotterdam, Locarno, Rencontres Internationales, Toronto, MoMA, BFI London Film Festival and San Francisco International Film Festival among others. She was a featured artist at the 56th Robert Flaherty Seminar programmed by renowned film curator and critic Dennis Lim. In 2015, she was named by Indiewire as one of 6 pre-eminent Avant-Garde Female Filmmakers Who Redefined Cinema. Her recent projects include reviving Ghana’s historic Rex Cinema as a creative space for art, music, and film.

Her short film On Monday of Last Week (2018) based on a short story of the same name in celebrated author Chimamanda Adichie’s collection, "The Thing Around Your Neck" was nominated for a 2017 African Movie Academy Award and screened at the Fowler Museum, ICA London and 25th New York African Film Festival co-presented by the Film Society of Lincoln Center.

Reluctantly Queer (2016) was nominated for the Golden Bear and Teddy Award at the Berlinale and won the Audience Award for Best International Short at Baltimore International Black Film Festival. It was listed as one of critics’ best films of 2016 in Sight & Sound, a monthly film magazine published by the British Film Institute (BFI). Kwaku Ananse (2013) received a Golden Bear nomination at the 2013 Berlinale and won the 2013 African Movie Academy Award for Best Short Film. Me Broni Ba / My White Baby (2009) garnered critical acclaim at over 100 international film festivals and museums; picking up a distribution deal with The Cinema Guild.

Owusu’s solo presentations include Cobo Center (2018); Nickelodeon Theatre (2018), The Museum of Fine Arts Houston (2016), Museum of Modern Art (2015), and UnionDocs (2012) among others. Owusu’s work has been included in major group exhibitions such as McNay Art Museum (2018), Anthology Film Archives (2018), Museu de arte de São Paulo (2018), Smithsonian National Museum of the American Indian (2017); Art+Practice (2015); the Institute of Contemporary Art, Philadelphia (2015) and Prospect.3 New Orleans Triennial (2013).

She has received numerous grants including the John Simon Guggenheim Fellowship in the Creative Arts (2015), Art Matters Foundation (2012) and the Africa First award (2012) sponsored by Focus Features. She has also held residencies at the MacDowell Colony, Camargo Foundation and most recently at the Goethe-Institut Vila Sul in Salvador-Bahia.

Black Sunshine, her forthcoming debut feature is supported by Produire au Sud (2010), Creative Capital Foundation (2012), Durban FilmMart’s ARTE France International Prize (2013), Berlinale World Cinema Fund (2014) and the Tribeca Film Institute (2015).

Her work is included in permanent collections of the Whitney Museum of American Art, Centre Pompidou, Fowler Museum, Yale University Film Study Center, and Indiana University Bloomington, home of the Black Film Center/Archive.

Owusu holds MFA degrees in Film & Video and Fine Art from California Institute of the Arts and received her BA in Media Studies and Studio Art with distinction from the University of Virginia. Currently, she divides her time between Ghana and New York, where she works as a Visiting Assistant Professor at the Pratt Institute in Brooklyn. Her films are produced under her production company Obibini Pictures LLC.

Akosua Adoma Owusu is represented by Andrew Farber at Farber Law LLC.